Thursday’s Picture of the Week: Muli, China

National Geographic BooksBehind the Scenes: The year is 1990 and Jeffrey Aaronson is photographing on assignment for the National Geographic Society in one of the most remote areas in the world: Muli, China. 

The book project, entitled, Beyond the Horizon: Adventures in Faraway Lands, has Jeffrey retracing the footsteps of Austrian-American botanist and explorer, Joseph Rock, who ventured to this region of China and Tibet in the early 1920′s.

Until 1953, Muli was a remote and independent mountainous Gelugpa Buddhist kingdom, located just north of Lake Lugu in Yunnan and Sichuan provinces. It was dubbed “The Yellow Lama’s Kingdom” by Rock.

Map of China

Jeffrey and writer, Patrick Booz, travel together on this epic, 30-day assignment for the Geographic. It takes four days to journey by jeep from Chengdu, the capital of Sichuan Province, on roads that

Since then only a handful of botanists, mountaineers and adventurers have trickled in to this are

The Answer…

To Monday’s “Where in the World Are You?” Photo Contest is:

MULI, CHINA

You had lots of great guesses. Thanks to all of you who participated in this contest.

Tomorrow for Thursday’s Picture of the Week, I will share a behind-the-scenes story about Jeffrey Aaronson’s National Geographic assignment in Muli, where he created this photograph, along with many others, including the cover photo for the book.

In the News…

Hats off to Dave Mason at Santa Barbara News-Press for his fine review of Steve & i in yesterday’s Sunday Books. It’s fun to share Jeffrey’s story with the Santa Barbara community and hear how others have connected with the book.

Photo of Steve & i review in the Santa Barbara News-Press

And yes, that’s a young Jeffrey Aaronson in the bottom right-hand corner–a photo taken by Steve Jobs at Apple Headquarters when they were both 29-years old. ❤

Fear, Loathing and Photography: A Mad Journey into the Heart of Hunter S. Thompson

Portrait of gonzo journalist Hunter S. Thompson

Hunter S. Thompson at his home in Woody Creek, CO ©Jeffrey Aaronson 1990

Behind the Scenes: It’s late January 1990 and Jeffrey Aaronson is photographing on assignment in Aspen, Colorado for Town & Country. The magazine is doing a major feature about the shakers and movers of this tiny mountain resort as well as the many bigwigs and socialites who flock there during the winter.

Editor, Anne Hearst, has flown in from New York to conduct interviews and coordinate several of the photo shoots. Her list includes everyone from billionaire David Koch to socialite Teran Davis to celebrities like Jill St. John and Robert Wagner.

“Gonzo journalist” Hunter S. Thompson is also on Anne’s list, which amuses Jeffrey since Thompson has always prided himself on being a counter culture icon–the complete opposite of everything the magazine represents. He’s skeptical Thompson will even agree to be photographed.

Midway into this grueling weeklong assignment, Jeffrey is beat. He’s been on the go since the crack of dawn once again—this time photographing models on snowmobiles in Aspen’s early morning light, in ten-degree weather, no less. Knowing he has another full day ahead of him, he turns in around 11:00 pm, only to be ripped out of his REM sleep an hour later. It’s Anne.

“Hunter Thompson just called and said we can do the shoot right now.”

Jeffrey groans, “You’re kidding, right? What time is it?”

“A little after midnight. Sorry…he said he’s just waking up.” Continue reading

Inspiration in a Time Capsule

The other day my friend Sarah sent me a fun link about a lost time capsule recently found in Aspen by the crew of National Geographic Channel’s Diggers. The capsule was from the 1983 Aspen International Design Conference and it contained a bit of tech history–Steve Jobs’ mouse from his first LISA computer, along with an eight-track recording of The Moody Blues, a Sears Roebuck catalog, the June 1983 issue of Vogue, a Rubik’s Cube and a six-pack of beer.

Photo of time capsule from the 1983 Aspen International Design Conference

Credit National Geographic Channel

When I read the story, I chuckled out loud and thought, Only in Aspen, as a wave of nostalgia washed over me about the town my husband, Jeffrey Aaronson, and I called home for so many years.

It also reminded me just how much I love time capsules.

In fact, every New Year’s Eve I put my family through the same exercise—creating a written time capsule in which we list all our favorite things and most interesting moments from the year, along with epic world and national events. We often include photos and a few mementos that capture the spirit of our year. Then, so we don’t take ourselves too seriously, we unceremoniously bury it in the junk drawer.

I have to admit, I’ve already unearthed a couple time capsules from five or six years ago, and even in that short time, they already feel historic and full of whimsy. The best part is that I know I never would have remembered some of the things we documented, had we not written them down at the time.

Drawing of the Pearl Chase HouseTime capsules come in all forms—some of the most interesting ones are unintended, arriving out of necessity or happenstance. Being lovers of old houses, Jeffrey and I have bought and sold and renovated several historic Victorians, a Craftsman and even a barn. During those renovations we’ve almost always found interesting items stuffed in the walls—things like newspapers from the 1880s, used as insulation, or historic tools or tidbits buried beneath the foundation. Each time those discoveries  have made us stop and linger, thinking about previous owners and bygone eras.

In some ways being a writer is like creating small time capsules for others to discover, and hopefully enjoy and reflect upon.  Continue reading

For the Love of Art, Help Us Decide!

You may have noticed my blog has been quiet lately. It’s not because I’ve been sipping Mai Tais on a tropical beach, reveling in a lack of Wi-Fi (although I must admit, that sounds divine). It’s because I’ve been working hard getting ready to launch an exciting new website in which we’ll be selling small, affordable fine art photography prints of Jeffrey Aaronson’s work.

Our goal is to share some of Jeffrey’s (aka-hubby’s) favorite moments created over the years while traveling around the world on assignments for many of the world’s greatest magazines. By offering these images on a small scale, first-time collectors as well as those without cavernous pockets or massive wall space, will have an opportunity to enjoy a little beauty in their lives without breaking the bank. We hope this approach not only makes acquiring art easy and fun, but also non-intimidating.

But here’s our problem: Jeffrey and I can’t decide which image we should use to launch the site. That’s where you come in, my fabulous readers! I’ve gotten to know many of you over this past year and a half of blogging and appreciate your thoughtful opinions. Take a peek at the three images below and tell us which photograph you think people would be most interested in owning as a small print (we’re talking 8×10 for about $50).

A) Monks walking past a Richard Gere billboard in Bangkok, Thailand.

Photo of monks in front of a Richard Gere American Gigolo Poster in Bangkok

B) A farmer tending his rice paddies in Sichuan, China.

Rice paddies in Sichuan, China

C) Giant champagne bottle in Champagne, France.

Photo of a giant champagne bottle being carried in Champagne, FranceLeave your vote in the comment box, and hopefully in the next week or so you will see which image ends up kicking off the launch of our new endeavor. And of course, many details will follow…including the name of our site!

Thanks for sharing your two cents with us! Your opinion means a lot.

Photo Caption CONTEST

Take a peek at the photograph below and join our contest to see who can come up with the most creative caption for this image. The winner will receive a $10 Amazon gift card along with serious bragging rights for being crowned “Most Creative.”

Photo for Where in the World Contest 2

To enter, simply leave your caption in the comment box below by Wednesday, November 7th and check back Thursday morning to see who is crowned the winner. Good luck!

Thursday’s Picture of the Week: President Nelson Mandela

Photo of Nelson Mandela for President South Africa 1994Behind the Scenes:  Johannesburg, May 1994. It’s a new day in South Africa. Historic change electrifies the air. Apartheid, the government’s official policy of racial segregation, has finally come to an end, and Nelson Mandela is about to be elected the country’s first black president in nearly three hundred fifty years.

Photo of a South African Woman

The emotion surging through Jeffrey Aaronson as he photographs this momentous occasion mimics that of the country’s new flag shimmering in the wind.

It’s impossible to repress his awe, remembering it had been just four years earlier that Nelson Mandela had been released from prison after serving a 27-year sentence for leading the armed struggle against apartheid.

Mandela’s prophetic words, uttered upon his release from prison couldn’t ring more true today:

“Our march to freedom is irreversible”

Continue reading

Thursday’s Picture of the Week: Hong Kong Handover

Time Magazine 1997 Hong Kong Handover Cover

Behind the scenes: It’s late June 1997 and Hong Kong is about to be handed back to China after 150 years of British rule. Jeffrey Aaronson has been hired by Time magazine to document the events leading up to the handover ceremony, which is taking place at midnight on June 30th.

He has spent the past two weeks photographing all across China with one of Time’s senior correspondents, Joanna McCreary. They’ve ventured to several of China’s outlying cities, showing that while Communist leaders proclaim there will be “One country, Two Systems” with the Hong Kong handover, China is already comprised of a tangle of systems and economic policies created by local municipalities.

This is a memorable assignment for many reasons. One is that it’s an historic event. The other is that Jeffrey is arrested in the city of Suzhou. His visa has expired and the police have discovered he’s been working on a tourist visa instead of an official journalist visa. He’s always done that to avoid being controlled by government minders.

Locked in a jail cell, Jeffrey tries to ignore the sense of dread washing over him. A grizzly policeman glares with distain, then says between long drags on his cigarette, “You have until midnight to leave China. You’d better be on a plane out of here or….”

Once he’s released Jeffrey immediately begins trying to figure out his next move. He discovers there’s only one flight left to Hong Kong (which is still British for another week), but it’s out of Shanghai, which is least two hours away–on a good traffic day. He has less than three hours and he still must go back to his hotel and pack, then get to the airport, buy his ticket and board the plane.

After phoning the correspondent to tell her what has transpired, he’s in a car on the way to Shanghai. His plan is to fly to Hong Kong and apply for a new tourist visa—knowing China is still not computerized and not likely to discover his recent incarceration. Then he’ll fly into Beijing the next day and meet back up with the correspondent.

After a heart-racing drive and an absurd made-for-TV-sprint through the airport, Jeffrey catches his flight just as they are closing the door.

The next day, after working with Mr. Kwok, his seedy connection in Hong Kong, he obtains a new visa and lands back in Beijing.

The correspondent, who is well-aware of what Jeffrey has just been through, recommends he rests and lays low, especially since she won’t be writing anything about Beijing.

Jeffrey, who has never been good at laying low, ignores Joanna’s advice and heads out to photograph anyway. In Tiananmen Square he happens upon a group of school children doing chalk drawings in celebration of the upcoming handover. A large “countdown clock” is ticking down the hours and minutes until the handover, which the mainland is exuberant about.

When he photographs these two schoolboys sporting 1997 glasses, he’s glad he followed his instincts instead of laying low. He knows he has just created an iconic image for their story. And he’s right. It becomes the cover of the magazine.

__________

A week later a similar situation happens. It’s the night of the handover ceremony and Jeffrey has been shooting all over Hong Kong, along with a small contingent of photographers working for Time. Each is assigned a dizzying number of symbolic events as the British say farewell.

Jeffrey is on a tight schedule trying to get from one event to the next. It’s the first assignment his editor has given him a cell phone to help with communication and logistics during this tricky project. It’s the size of a brick, but it’s indispensable.

He has spent much of the day with the last governor of Hong Kong, Chris Patton, and is now on his way to photograph the Britannia symbolically sailing out of Hong Kong Harbor.

Time Magazine Cover New Guard in Hong KongThe streets are filled with drunk Expats as they try to forget about their future and their certain loss of British freedoms. On the way from one event to the next Jeffrey sees the first ceremonial Chinese soldier standing guard where a British soldier once stood.

It’s dripping hot and humid, and the crowd is growing more and more unruly, taunting the soldier. Jeffrey knows he’s late for his next event, and a call from his editor reinforces that. “Your car and driver are waiting for you. Please get over there now.”

“Give me ten minutes, “ he says to his editor, convincing her that what he’s witnessing could make for a symbolic photograph. While she has the driver circle, he creates another cover of Time, which runs the week after his previous cover.

“It’s often unplanned moments that make for some of the most interesting and important photographs. Sometimes you just have to follow your intuition, even if it means ignoring your editor,” Jeffrey later reflects.

Sentimental Journey in the American West

Today’s post shares a slice of humor and nostalgia. Jeffrey Aaronson photographed this series along a rural highway in northern Colorado for Life magazine, stirring memories of the Old West and the cowboy tradition.

Jeffrey Aaronson Lone Ranger Series 1 of 4Jeffrey Aaronson Lone Ranger Series 2 of 4Jeffrey Aaronson Lone Ranger Series 3 of 4Jeffrey Aaronson Lone Ranger Series 4 of 4
All photos ©Jeffrey Aaronson                         The Art of an Improbable Life 2012

PS: Sharing one of my favorite series of photographs seems like the perfect way to celebrate my 100th post today!