Remembering June 4th

Today the Shanghai Stock Exchange fell 64.89 points. This may not seem like dramatic news to most people, but for anybody who remembers June 4, 1989 (6489), this brings chills.

June 4th is the day the Tiananmen Square Massacre took place 23 years ago in Beijing, China; when the Chinese government ordered the People’s Liberation Army to fire upon thousands of unarmed civilians who were peacefully demonstrating during the Democracy Movement.

Photo of the Democracy Movement in Tiananmen Square, Beijing, ChinaPhoto of Tiananmen Square crackdown, Beijing, China 1989

The Chinese Communist Party has never released a death toll from the crackdown, but estimates range from several hundred to several thousand by witnesses and human rights groups.

June 4th is an extremely sensitive topic in China, and is also one of the most censored. You won’t find mention of it anywhere in Chinese history books. In fact, most people born after 1989 don’t even know it happened.

You can imagine the nervousness of the Communist Party today when the stock exchange closed 64.89 points lower, reminding everyone once again of a date it has been trying to erase from history for the past 23 years. Even more spooky is that the Shanghai Composite Index opened at 2,346.98—as in “Let’s not forget 23 years ago, on 4 June,’89 (only the year’s digits are switched).

It made the Politiburo so paranoid, in fact, that it blocked microbloggers on China’s most popular version of Twitter, censoring anything related to June 4th. Messages containing words like stock exchange, 23, 6/4, remember, tanks, and never forget were blocked.

The Chinese have always been superstitious about numbers. Just flash back to the Beijing Olympics, held on 8/8/08 starting at 8:08 because the number 8 is considered lucky. Some say today’s symbolic ticker numbers were brought on by the Karmic gods. Others speculate the stock exchange was hacked by clever activists. Whatever the case, clearly it was meant for all the world to remember what happened in Tiananmen Square twenty-three years ago and to honor the innocent victims.

As you may remember, my husband, Jeffrey Aaronson, was in the middle of the Democracy Movement when it unfolded in Tiananmen Square. If you missed my post about it and are interested in reading it, you can click on the link below:

My Crash Course in Living Through the Lens

In honor or remembering Tiananmen, I’m also posting a small excerpt from my book in progress, The Art of an Improbable Life: My Twenty Years with an International Photojournalist.

Chapter Ten

Tiananmen’s Shadow
Beijing, China
2000-01

 

As Zhang Xianling cradles her son’s motorcycle helmet, remembering the last time she saw him alive, tears begin to pool in the corner of her eyes, betraying the iron fortitude she normally wears.

“The bullet entered Wang Nan’s head above his left eye,” Zhang begins as she looks up at Jeffrey, “and exited behind his ear, penetrating the motorcycle helmet he was wearing.”

Jeffrey winces, then feels his stomach tighten as if he’s just been kicked in the gut. Though he’s witnessed much agony in the world as a photojournalist, he’s never hardened to it.

“Nan was a junior in high school,” Zhang continues. “He had gone out to take pictures the night of June 3rd. He was passionate about photography and wanted to capture history.”

Then she stops and closes her eyes. After inhaling a sonorous breath of calm and courage, she continues, “The instant his flash went off, a soldier aimed his gun and shot him through the head.”

The sorrow draped across Zhang Xianling’s face reinforces why Jeffrey has risked so much to be here: This mother’s story deserves to be told. And so do all the others.

Eleven years earlier Jeffrey had been in Tiananmen Square photographing China’s Democracy Movement, capturing the exuberance of students and workers peacefully demonstrating, hoping to bring change to their country. He documented a million people marching with banners and flags, protesters carrying anti-corruption placards and hunger strikers facing off with a government they believed was no longer listening to their demands for a more open society.

Jeffrey had spent an entire month in Beijing that hot spring of 1989, but it wasn’t until now that he was finally able to reveal what had happened on the night of June 3rd, and into the pre-dawn hours of June 4th, when the Chinese government ordered the People’s Liberation Army to quash the Democracy Movement with resounding force. Hundreds, if not thousands, of unarmed Chinese civilians were killed by the PLA as soldiers randomly shot into the crowd fleeing Tiananmen Square and the surrounding areas.

This act, which quickly became known as the June 4th Massacre, or the Tiananmen Massacre, is something the Chinese government has tried to cover up ever since, and something the victim’s families have struggled with as they seek justice and accountability.

Jeffrey hopes his photo project will bring the June 4th Massacre to light again, to show the world what really happened. His story won’t involve graphic images of bodies mowed down by the PLA, but instead, iconic portraits of family members of the victims, and those casualties of the movement who survived, but whose lives have been shattered. Their testimony about the massacre will also accompany the photographs he is creating . . .

more…

Here’s to remembering June 4th and never forgetting those who have been silenced.

Thursday’s Picture of the Week: China

Photo of a man doing tai chi in Rutan Park in Beijing, China

Behind the Scenes: The year is 1995 and Jeffrey is photographing on assignment for The New York Times Travel Section in Beijing, China. He’s there to do a story about Ritan (Temple of the Sun) Park.

This expansive park is one of the oldest sites in Beijing and is like an oasis in the midst of a teeming metropolis. Commissioned by Ming Dynasty emperor JiaJing in 1530, it is filled not only with massive trees, gardens, pavilions, and small lakes, but many places for people to gather and recreate. Tai chi and ballroom dancing are common forms of exercise found here.

When Jeffrey comes upon this elderly gentleman wearing a traditional Mao jacket, fully immersed in the solitude of his early morning ritual, he knows he has captured the essence of Ritan Park and also created a wonderful symbol of ancient China–still alive and well in modern day Beijing.

At its core, tai chi is a martial art (also referred to as shadow boxing), but it is now commonly practiced to strengthen and promote mind/body health. Jeffrey loved how the man was entranced in the shadow of his own dance, and how the traditional Chinese red wall and green tiles melded with the shadow and gesture, creating pure harmony.

This image was created with a Nikon F4, a Nikkor 85mm lens and Fuji Velvia film.

Postscript: A week after it was published as the cover of The New York Times Travel Section, Broadway’s legendary song and dance man, Tommy Tune, wrote a letter to the editor extolling the artistic merits of Jeffrey’s photograph and how he captured the magic of the moment.

“It was quite an honor coming from Tommy Tune, whom I admire for his artistry and accomplishments in the field of dance,” said Jeffrey. “The fact that he would take the time to write a letter to the editor…there really is no higher compliment.”

Thursday’s Picture of the Week: China

Vis a Vis magazine cover

Behind the scenes: It’s 1981 and Jeffrey is photographing in Beijing, China. On this day he’s intent on capturing the beauty of the Summer Palace, the former warm-weather residence of China’s imperial rulers.

As Jeffrey crosses a narrow covered walkway, intricately carved and painted with imperial scenes, he notices an elderly gentleman sitting on one of the wooden railings. The man, who seems content to do little more than take in the day’s events around him, is dressed in a Mao jacket and a traditional cap. He is also wearing some of the most exquisite glasses Jeffrey has ever seen.

Photo of the summer palace in Beijing, ChinaThe spectacles rest slightly askew on the man’s nose. The etched hand-tooled silver that frames the circular glass is worn to a salient patina; the crack in the upper left-hand lens holds a story from long ago.

Jeffrey cannot take his eyes off the man whose face perfectly symbolizes traditional China. When the man glances up, Jeffrey asks—through his interpreter—if he would mind having his portrait taken. “Please be sure to tell him how much I admire his glasses,” Jeffrey adds.

The man’s eyes twinkle from beneath their narrow openings. Then his soft, gravely voice begins wrapping Jeffrey in staccato Mandarin, almost as if the man has been waiting his entire life to share this moment. Jeffrey, who has studied a little Chinese, can only understand part of what he is saying, and must wait patiently until his interpreter finally relays the story.

“He says that he is 84-years old and these glasses have been in his family for two generations. His father wore them most of his life, then when he died, they were passed on to him. He said he would be willing to sell them to you for ten dollars.”

Jeffrey is horrified by his offer, imagining all the things that have passed through these lenses. He takes a moment, then simply says to his interpreter,

“Tell him ‘thank you very much for your generous offer’, but I will pay him double if he promises to never sell these glasses; to always keep them in his family.”

The man squints his eyes in delight, then agrees. Finally Jeffrey creates his portrait. A few years later it becomes the cover of Vis a Vis, United Airlines’ inflight magazine, when they publish a 10-page portfolio featuring Jeffrey’s China photographs.

This photograph was created with a Nikon FE camera, a Nikon 85mm lens and Kodachrome 64 film.

Photo of rowboats at the Summer Palace in Beijing, China

PS: The answer to Tuesday’s challenge is Tibet (November 8th post). You’ll have to wait to hear Jeffrey’s stories to fully appreciate his reasons.