Jeffrey Aaronson’s Improbable Journey with Steve Jobs(Part One)

THEN: THINK DIFFERENT (Part One)

February 1984: It’s a classic winter day in Aspen. Snow is falling like heavy cotton as photographer Jeffrey Aaronson sits hunched over his light table, editing film. As he lowers his loupe and glances up from his slides for a moment, he suddenly notices a flash of brown amidst all the white outside his window. A UPS truck is pulling up in front of his studio. Jeffrey isn’t expecting a package, so curiosity immediately tickles his frontal lobe.

In a matter of minutes Jeffrey finds himself staring at a large white box sitting on his studio floor. He can do little more than shake his head and smile when he sees the word Macintosh printed on its side, along with its signature design.

Inside the box he finds a brand new Apple Macintosh 128K computer along with a keyboard and a new thing called a mouse. He also finds a hand-written note from Steve Jobs. It simply reads:

“Be a part of the future—Steve”

At that moment, Jeffrey knows he has just opened up more than a computer box; he has opened up his entire world—a world in which anything is possible. Not because of the machine per se, but because of the impact the machine’s creator has had on him. The computer is merely a symbol of all that is possible when a brilliant imagination is supported by hard work and fearlessness.

Jeffrey smiles at the boldness of his friend’s characteristically minimal note, and is stunned by his generosity. But then again, not really. In the past month, Steve Jobs has bowled him over countless times…

Steve and i book cover

Read the rest of this improbable story and see many more rarely-seen photographs of Steve Jobs in our ebook, Steve & i, which is now available on Amazon for the Kindle, Barnes and Noble for the NOOK, and iTunes for the iPad and other idevices.

Thursday’s Picture of the Week PHOTO CAPTION CONTEST

Photo of monks watching television

Take part in our first ever Improbable Caption Contest and win a $20 Amazon gift card.

First of all, please be assured there are no strings attached whatsoever. This is just my way of having fun and celebrating creativity.

Now, take a close look at who these viewers are watching on TV, and submit your best caption by simply drop it into the comment box.

Next Thursday, October 13th, I will select the winning caption and announce it here on the blog. The person with the most creative caption will be emailed a $20 gift card from Amazon.

Good luck! I can’t wait to hear your creative ideas!

Oh, and also, of course, I’ll be sharing the story behind this much-published photograph.

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Beyond Rangoon (Part Two)

THEN: BEYOND RANGOON (PART TWO)

APRIL 1989: As you might remember in Part One of this story (see my post on 9/27/11    if you missed it), the last time I hear from Jeffrey is when he’s in Bangkok, on his way to Rangoon to photograph a seemingly innocuous story about daily life in Burma for The Christian Science Monitor.

Photo of a vendor in Mandalay, Burma

These are the days before email, iChat, text messaging and the constant stream of news gliding across our televisions and computer screens, so while I’m aware of Burma’s dark history, I’m unaware of Aung San Suu Kyi’s recent arrest or the military crackdown Jeffrey is about to drop himself into. We are completely out of contact for ten days.

Now, if you will, flash forward with me to when Jeffrey arrives home from Burma…

I can tell by Jeffrey’s glassy eyes that he’s exhausted. The kind of exhausted that makes yawning feel like too much effort.

When I ask how his assignment went, all he can say is, “Insane.”

I can’t tell if it’s a good insane or a bad insane. Then he grabs a box of slides out of his carry-on bag. I try to imagine why he would have had his film processed in Asia instead of the lab at home like he always did, but instead of asking, I open the box, grab a loupe and take a look at the slides.

When I see Aung San Suu Kyi, Burma’s most powerful symbol of hope and freedom, staring back at me instead of water buffaloes and golden temples, I’m stunned.

“How in god’s name did you photograph Aung San Suu Kyi?” I stammer.

“It’s a very long story,” Jeffrey says, exhaling deeply and throwing himself into a chair.

It isn’t until the following evening over dinner and a bottle of wine that Jeffrey finally recounts the details of his trip. Goosebumps rise on my arms as he describes it all.

This is but a tiny portion of what he experienced…

Photo of martial law in Rangoon, Burma 1989

Excerpts from Chapter Three of my book…

Ko Ye’s leathery brown hands grip the steering wheel, slowly navigating the embassy car through the streets of Rangoon. Armed soldiers lining both sides of the road peer inside the windows, and beads of sweat drip down the driver’s temples and neck.

The only sound in the airless car is an unspoken symphony of anxiety created by three pounding hearts, the rumble of the diesel engine, and Ko Ye’s laden sighs.

At the first roadblock, the driver’s eyes flash in the rearview mirror to Jeffrey and Andrew, the two journalists in the back seat, reinforcing the insanity of what they’re doing. Upon order, he slowly rolls down the window; nobody dares breathe.

Photo of martial law in Rangoon, Burma

Jeffrey carefully shifts his knees to make sure his camera bag is covered on the floor below. Andrew looks straight ahead. Angry Burmese words are launched at Ko Ye. The passengers have no idea what’s being said, but somehow the driver’s shaky, high-pitched response convinces the soldier to wave them through.

Nearly a half hour later, after several more chilling roadblocks, they arrive at a compound near Inya Lake. A wall of soldiers surrounds the entrance, and it’s clear that whomever’s inside, is at the will of the AK-47’s outside. The embassy car is the only reason the solid metal gate opens, and as Ko Ye slowly pulls the car forward, Jeffrey and Andrew finally allow themselves to exhale…

______________

…On the veranda of the faded two-story colonial villa, a slender woman wearing a simple flowered blouse and a green traditional longyi sits waiting. Her thick black hair, pinned back with a hibiscus, frames her high cheekbones and delicate oval face.

Portrait of Aung San Suu Kyi at her house in Rangoon, Burma, 1989When Aung San Suu Kyi stands and graciously welcomes them in her perfect Oxford English, Jeffrey takes a moment to center himself, trying to remember how he arrived at this unexpected moment in his photographic career.

He flashes back to breakfast earlier that morning. His camera bag is sitting in the chair next to him, and he suddenly notices a foreigner watching him. Not sure what to make of it, he half-smiles, then finishes his breakfast, all the while trying to imagine what this guy is about. Before he has a chance to speculate further, he hears an Australian voice say, “You’re a photographer, right?”

Jeffrey cocks his head and looks up out of the corner of his eye, instinctively putting up his defenses.

“Nope…just here on vacation.”

Before Jeffrey has time to ask him who he is or what he’s about, the Aussie interrupts and sits down at the table, throwing his hand out to shake. “I’m Andrew Walsh,” (his name has been changed to protect his identity) he announces, then lowers his voice, “I’m a reporter for The Age in Australia.”

Then he quickly begins telling his story in a hushed tone. “Listen, my country is the only democratic country in the world right now that hasn’t broken diplomatic relations with Burma after Aung San Suu Kyi was placed under house arrest.” He looks around to make sure nobody else is listening.

“I have an opportunity to use the Australian Embassy car to go interview her this afternoon, and I need a photographer. We’ll be going under the auspices of checking on her—sort of a diplomatic mission for the embassy—to make sure she’s all right.”

Jeffrey has a hard time believing the proposition he’s hearing, but Andrew continues, “In exchange for this exclusive opportunity, I just need one photograph of her for my story. Then you’ll have free reign of everything else. We’ll even pay you for licensing the photograph.”

Andrew doesn’t need to sell Jeffrey. Exposing human rights abuses and injustice in the world drives Jeffrey from his belly. Grabbing his camera bag, he asks, “When do we leave?”

___________________

…Inside the heavily treed compound humidity and oppression hang on Andrew and Jeffrey like wet quilts. The stifling air doesn’t budge, but the energy radiating from Aung San Suu Kyi swirls into an electrifying breeze.

While Jeffrey patiently waits for Andrew to interview her, he mentally composes photographs in his head. He’s also swept away by the poise and defiance of this striking 44-year old woman. A wife and mother, and Burma’s most powerful voice for change, she exudes grace while fearlessly trying to lead her party and country in a new direction…

In perfect English, she articulates her hopes and dreams for her country and reveals the reality of its past. “Our party is expected to win the majority of parliament seats during the upcoming election,” she explains, “but the junta is cracking down, afraid to lose its power. You can’t have power without responsibility.”

… Jeffrey, knowing there isn’t much time left before the light disappears, begins photographing. Quickly placing the bright red flag of The National League for Democracy behind her, he shoots frame after frame, capturing the mix of intellect, warmth and defiance in her eyes.

Portrait of Aung San Suu Kyi at her house in Rangoon, Burma, 1989

Portrait of Aung San Suu Kyi at her house in Rangoon, Burma, 1989Her chapped lips and the shadows under her eyes reveal the vulnerability of a woman who’s been treated harshly, but also the stoicism of a leader whose fortitude could never be underestimated. Then he captures the family connection and the love of her country as she sits near a large portrait of her father, General Aung San, who negotiated Burma’s independence from the United Kingdom in 1947. As she tells the story of how he was assassinated when she was just two years old, the harsh reality of her country is hammered home even more.

In no time, the light fades and they know they must leave.

As they depart the compound, Aung San Suu Kyi’s last words grip them…“Let the world know.”

______________________________

When Jeffrey finishes telling me this story, then shares other details about the sketchy drive back from her compound, how he duct-taped his undeveloped film to the bottom of his hotel bed to keep it safe, and how he and Andrew also used the embassy car to photograph a demonstration in which dozens of protesters were slaughtered, I count my blessings that he made it home safely.

What resonates most though, are Aung San Suu Kyi’s words, “Let the world know.” Jeffrey and I both know it’s our responsibility to get his images published so people can see what’s happening in Burma.

In the coming months and years, that is exactly what we try to do. Not only does The Age publish one of Jeffrey’s photographs, but his portraits of Aung San Suu Kyi become the most published photographs of her ever. One graces the cover of Time Magazine when she wins the Burmese elections, and later when she wins the Nobel Peace Prize. Others are splashed across dozens of magazine covers in Europe, Asia and Latin America, in every kind of publication, large and small.

Time Magazine with photo of Aung San Suu Kyi

Her face becomes the light in the midst of Burma’s darkness, a symbol of courage and strength around the world. Like Nelson Mandela and the Dalai Lama, she gives up everything for what she believes in, and its her sacrifice and fortitude that inspire veneration around the world.

Her words are also one of the reasons I’m writing my book…to let the world know.

____________________

Postscript: In November 2010 Aung San Suu Kyi was finally released, after spending most of the last 21 years in some form of imprisonment. She continues to fight for democracy and freedom for the Burmese people. The billboard below is an example of the challenges she faces. Click on it to view it larger.

Photo of a government propaganda sign in Rangoon, Burma

Photo of a government propaganda billboard, 1996

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Saturday’s Sizzle: Rick Smolan Tells the Story of a Girl

Each Saturday on my blog I will be posting “Saturday’s Sizzle,” something I think is hot in the world of photography, art, travel or writing.

My first Saturday’s Sizzle features “Rick Smolan Tells the Story of a Girl.” This TED presentation tells the unforgettable story of a young Amerasian girl, a fateful photograph, and an adoption saga with a twist. I hope you are as enthralled as I was.


Portrait of photographer Rick SmolanRick Smolan is a former Time, Life and National Geographic photographer who is best known as the co-creator of the Day in the Life and America 24/7 series. He and his partner, Jennifer Erwitt, are the principals of Against All Odds Productions, which specializes in the design and execution of large-scale global projects that combine compelling storytelling with state-of-the-art technology.

Jeffrey is privileged to have worked on two projects with Smolan: One Digital Day and American 24/7.

Thursday’s Picture of the Week: Japan

Photo of a woman in Tokyo, Japan wearing a Kimono at Shinjuku train stationBehind the scenes: It’s 1992 and Jeffrey is working on assignment for Travel Holiday, doing an editorial feature on rice in Japan. He’s photographing everything from sake factories and rice farmers to the cultural and religious significance of rice.

Because taxis in Tokyo are exorbitant, he decides to do his client a favor and take the subway to a Shinto shrine where he’ll be photographing a ceremony involving rice.

Inside Shinjuku Station, as he stands in line waiting for the train, he notices a woman near the front wearing a traditional kimono–something seldom seen in modern Tokyo anymore.

Jeffrey knows this is a perfect opportunity to create a photograph showing the contrast between old and new. Quickly he pulls out his camera, steps out of line and tries to frame the image. Within minutes the train arrives. He has just enough time to shoot off two frames, capturing this fleeting moment, before jumping aboard the train with the rest of the passengers.

This picture, which was created with a Nikon F4 camera, a Nikon 85mm lens, and Fuji Velvia film, has been honored with a PATA Gold Award and has also been published on the cover of several magazines.

Earlier this year Jeffrey also donated this photograph to Life Support Japan to help Japan’s tsunami and earthquake victims. The fundraising relief effort was organized by Crista Dix of Wall Space with the help of Aline Smithson of Lenscratch, and raised over $50,000 for Direct Relief International and Habitat for Humanity in a matter of days.

If you’d like to know more about this project you can click on this link: Life Support Japan.

If you’re interested in seeing more of Jeffrey’s photographs from Japan, you can click on this link: rice in Japan.

Look for my next regular THEN and NOW post on Tuesday! And as always, I’d love to hear from you. Leave your comments or questions and I’ll be sure to reply.

Thanks for being a loyal follower!

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Beyond Rangoon THEN…A Feather in Her Cap NOW

THEN: BEYOND RANGOON

APRIL 1989: Jeffrey and I have been together little more than four months when I get my first taste of what life is going to be like with him.

Photo of the Democracy Movement in Tianamen SquareFirst, if you’ll flash back with me briefly, you might remember that 1989 is a year of extraordinary change around the world—everything from China’s Democracy Movement to the fall of the Berlin Wall to the Dalai Lama winning the Nobel Peace Prize to Gorbachev being elected Russia’s new president.

Another dramatic event taking place is that Aung San Suu Kyi is about to be voted Burma’s first democratically elected leader in nearly thirty years.

Jeffrey is in Bangkok finishing up an assignment for Newsweek when he receives a call from The Christian Science Monitor. “We have a project for you in Burma,” he hears.Those few words are all it takes before he agrees to the assignment.

Burma has been closed to the outside world for decades—at least to journalists—isolated by its brutal military dictatorship; Jeffrey knows this is an unusual opportunity.

At one time Burma had been the wealthiest nation in Southeast Asia and the largest exporter of rice, oil and teak. Its capital, Rangoon, often referred to as the “Queen of the East,” had been a vibrant metropolis brimming with a highly literate population. But a 1962 coup d’etat, followed by rampant corruption and the catastrophic economic plan, The Burmese Way to Socialism, turned this country upside down.

With Burma’s current economic bankruptcy and the UN’s label as one the least developed countries in the world, a tiny crack has been pried into this iron-fisted country, one just large enough to allow a handful of tourists to visit–along with their money. Jeffrey is one of them.

Abercrombie & Kent, one of the few tour companies operating in Burma, organizes a seven-day visit for Jeffrey, the maximum time allowed by the Burmese government. His itinerary will take him to Rangoon, Pagan and Mandalay, where his assignment is to capture the stark beauty of the country and the everyday life of people in this isolated land.

Photo of Schwedagon Pagoda in Rangoon, BurmaPhoto of a monk at Schwedagon Pagoda in Rangoon, BurmaPhoto of pilgrims praying in Rangoon, BurmaPhoto of a watermelon vendor in Rangoon, BurmaPhoto of vendors in Mandalay, BurmaPhoto of Pagan, BurmaPhoto of a monk at a temple in Pagan, Burma

Inside A & K’s air-conditioned Bangkok office, an employee, Ms. Too, hands Jeffrey his plane ticket, visa and itinerary. Then she says, “Mr. Aaronson, there’s just one thing: there’s been a terrible crackdown in Rangoon. Martial law has been imposed. The elections are coming up and Aung San Suu Kyi has been placed under house arrest by the junta to prevent an uprising. It’s not safe for you to go.”

The nervous employee, of course, is sharing this news so that Jeffrey will postpone his trip, but Jeffrey’s mind is working in the opposite direction.

“Is the airport still open in Rangoon?” he asks.

“They haven’t said otherwise.”

“Then I better get going.”

“Mr. Aaronson, I’m not sure that’s a good idea. No journalists are allowed.”

Jeffrey, not to be dissuaded, replies, “Who said anything about a journalist? Remember, I’m a tourist, going on vacation to visit the beautiful country of Burma.”

“If you must go, then please be careful,” Ms. Too says with pools of concern in her eyes…

Photo of matial law in Rangoon, Burma 1989

Read Part Two in my next post…Sorry, I don’t mean to leave you hanging, but even the uber condensed version of this complicated story is too long for one post. I hope you’ll check back to find out what happens. In many ways this improbable story epitomizes Jeffrey’s career, and also the beginning of our relationship.

__________________________________________________________________________________

NOW: A FEATHER IN HER CAP

SEPTEMBER 2011: The events of 1989 were hugely memorable, but not be outdone, we also just experienced our own “big event” right here at our house last week. Our daughter, Olivia, got to have two feathers put in her hair.

I know, I know. It’s not exactly the kind of “big,” you might have imagined, but in the life of a 7-year old, it’s huge. Believe me.

photo of feather hair extensionsIf you’re trying to imagine what the heck I’m talking about, let me clue you in to the world of 2nd grade girls. The latest craze is having one or two…or several thin feather extensions threaded into your hair to add a splash of color and pizazz.

When our daughter first told me she wanted a feather like all the other girls, I have to admit I cringed. Really cringed.

I couldn’t imagine our sweet little bean with a Steven Tyler-like feather in her beautiful curly tresses.

Eventually though, because Jeffrey and I try not be ogres (well, at least most of the time), we told our daughter that if she really wanted a feather, we would let her get one if she worked hard at a challenging personal goal she was trying to achieve.

We set a date, marked it on the calendar, and gave her several tools and suggestions to help her reach her goal. Then we set her free to do it.

Somehow it reminded me of when I was training for my first New York City Marathon, and the calendar I had made charting out my 16-week training schedule. It seemed epic at the time, and I had no idea how I’d ever get through my first 10-mile run, let alone get to the finish line of a 26.2 mile race. But having a visual chart made all the difference. It was a constant reminder.

The same held true for Olivia. Like marathon training, many days were tough, but at the end of the day, after she worked her hardest and did what she need to do, she put a check mark on the calendar, and each time we could see her confidence grow.

Well, last Thursday her calendar was finally filled with check marks. She reached her goal.

I never imagined that a hair salon appointment could ever turn into a family celebration, but that is exactly what it was.

Photo of hair feather being put in girl's hairWe took Olivia to the salon immediately after school to pick out her feathers . She chose her favorite colors, pink and red, and the stylist quickly crimped them into her hair. All the while Jeffrey took pictures with his IPhone and I blinked back tears as I watched Olivia’s pride glowing in the mirror.

Photo of Steven TylerNowhere did I see visions of Steven Tyler. All I saw was a sweet little girl who had kicked some serious butt and had grown in multiple ways along the journey.

I clearly never would have chosen a feather for Olivia, but now I adore the look because it represents her hard work, determination, and her ability to overcome a daunting challenge.

The piece de resistance is that she got her feathers just in time for her 2nd grade school picture. Now she’ll always be able to look back at her photo, see those feathers and remember that she can do anything if she puts her mind to it.

Here’s to the feather in Olivia’s cap…I mean hair. This mama couldn’t be prouder (in case you couldn’t tell).

We all need “feathers” once in awhile. I’d love to know what motivates you to stay on track and reach your goals, especially when things get tough. Leave me a comment and share your feathery moments!

Thursday’s Picture of the Week: Thailand

Each Thursday I will be posting one of Jeffrey’s photographs from around the world for people who have subscribed to my blog via email or RSS. It’s my way of saying, “Thank you for your support and interest in what I’m doing.” I hope you enjoy this image and the brief story behind it.

Photo of monks in front of a Richard Gere American Gigolo Poster in Bangkok

Behind the Scenes:  It’s 1982 and dense golden light bathes the streets of Bangkok, Thailand. Jeffrey is in the city photographing the 200th Anniversary of this vibrant and complicated capital. As he walks through the downtown area at dawn, he spots a large hand-painted movie poster about to be erected for American Gigolo.

The billboard, laying on its side, is a visual feast, and the perfect backdrop for creating an image that represents the often-unusual contrasts found in East meets West moments. Jeffrey composes his photograph then waits until two monks begging for morning alms walk into his frame, capturing their curiosity as they stand face-to-face with American heartthrob, Richard Gere.

Photo of Richard GereSquint and turn your head sideways and you can almost see Gere’s resemblance in this Asianized version. If not, you may need to squint a little more!

This photograph was created with a Nikon FE camera, a Nikon 24mm lens and Kodachrome 64 film.

It has been published several times, acquired by private collectors, and has even caught the attention of Richard Gere.

Look for my next regular THEN and NOW post on Tuesday! And as always, I’d love to hear from you. Leave your comments or questions and I’ll be sure to reply.

       Thanks for being a loyal follower!

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PS: More of Jeffrey’s Thailand images can be seen by clicking on this link: THAILAND.

10 Things You Learn When The Love of Your Life Is a Photojournalist

When I originally started writing my book, I had planned purely to chronicle Jeffrey’s adventures around the world and not include myself in any way. But then several of my fellow writers, for whom I have deep respect, started nudging me to reveal what our life was like from my perspective. So this is for you, my friends. I’m branching out from my THEN and NOW format just for you.

When you’re married to a photojournalist…

1)  You confirm that Timbuktu really is a town in the West African nation of Mali and not just a place your mother threatened to ship you off to if you “didn’t shape up” when you were a kid.

Photo of Mali

The Grand Mosque in Djenne, Mali, a couple hours southwest of Timbuktu

2)  You figure out how to fix things when they break, or more accurately, who to call when it happens, because inevitably it occurs when he’s boating down the Yangtze River or working in some remote village in Burma. Water heaters, computers, car batteries…you name it…they’ve all called it quits when he’s been gone.

Photo of Burma

Children making their way home after a day at the market in Burma

3)  You learn to celebrate birthdays and other special occasions on a flexible schedule. If the love of your life is in Papua New Guinea on your big day, you learn to pamper yourself anyway and enjoy it with aplomb…then celebrate it all over again once he’s back.

Photo of New Guiena

The Kambaramba stilt village on the Sepik River in Papua New Guinea

4)  You stay in tune with what’s happening around the world. If your spouse is heading off to photograph Nelson Mandela’s inauguration in South Africa or Hong Kong’s handover to China, you try to learn as much as possible about the country’s history prior the event, then drink in the details of what it’s like when he’s there on the ground, experiencing history in the making.

Photo of Nelson Mandela's Inauguration

An exuberant supporter of Nelson Mandela shows his enthusiasm during Mandela's inauguration

5) You learn that if you go on an assignment with him, you are NOT going on vacation–even if it’s to Spain or Italy or Tasmania. You will be working your hiney off, getting up at the crack of dawn, chasing the light,carrying heavy equipment, zipping around from place to place, keeping track of all the film and captions, and barely remembering to eat. That’s what photographers do. Still, there’s nothing like it.

Photo of Becky and Jeffrey Aaronson getting on a plane

Jeffrey and I jumping on a plane in Denver. ©David Hiser

6) You learn to be patient with the airlines (well…mostly), even when they snatch precious moments of your time together with delays or mechanical issues. When your husband has flown well over a million miles though, and has been delivered home safely each time, you try to overlook the bad stuff and appreciate what they do. But you do learn to always call ahead before going to the airport to pick him up (even if you live across the street from the airport like we did for many years) because seven times out of ten, his flight will be delayed.

Photo of an airplane window

The view out the window at 38,000 ft. on an assignment we did together in Australia

7) You learn the art of converting a mind-numbing pile of Chinese taxi receipts from yuan to US dollars when billing clients, and you figure out ways to keep your sanity during tax season when wading through wadded up scraps of receipts that need to be converted from Moroccan dirham, Indian rupees or Bhutanese ngultrum.

Photo of a Chinese taxi receipt

A modern Chinese taxi receipt. Most of the ones I converted over the years were funky hand-written scraps that were barely legible.

8)    You learn that little things make a big difference to somebody who lives much of his life on the road. Tucking love notes into his suitcase or using special code words in faxes or emails, which are meaningful to him but leave the Chinese government guessing, helps you stay connected. Also stocking the fridge with all his favorite foods or organizing a massage when he gets home makes him dizzy with appreciation.

9)    You learn that distance really does make the heart grow fonder. Reunions after a month apart don’t get any more romantic.

Photo of an Aspen tree carved with LOVE

Aspen trees

10) Most importantly you learn to have a life of your own and not put it on hold until he gets back. You take advantage of solo time and fill it with all the activities and people you love. In fact, you learn to appreciate it so much that you feel sorry for all those couples who rarely have time apart.

These are but a few things that come to mind when I think about the gift of our relationship and our lifestyle. I’m sure it wouldn’t be for everyone, but for us, it has been a dream. Jeffrey often says, “I can’t believe people pay me to do this job,” and I say “I can’t believe I have the best of all worlds.”

I’d love to know what you think and welcome your questions or comments so I hope you’ll drop me a note in the “Leave a Reply” section below!

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How Jeffrey Created His Most Published China Photo THEN…My Michelle Obama Moment NOW

THEN: DRUM ROLL PLEASE….

1980: The answer to Tuesday’s blog post question, “Which China Photograph is Jeffrey’s Most Published?”…is…

Photo of Moxibustion

MOXIBUSTION

This photograph has been published dozens of times around the world, particularly in Asia and Europe, and has been acquired by several art collectors as well.

Thanks to all of you who voted. Our friend Ronald McDonald, with his red pompador, was a close second, followed by the Little Emperor, rice paddies and the Democracy Movement.

Congratulations to Sarah Chase Shaw, the only person who guessed correctly. She and Confucius are one with beauty!

To hear the improbable story of how Jeffrey created his moxibustion photograph, click on the video below.

Please note this is my first attempt at making a video, so bear with me as I learn the craft of this art form.

________________________________________________________________________________

NOW: MY MICHELLE OBAMA MOMENT

SEPTEMBER 2011: A friend of mine emailed me this morning telling me he was on his way to the White House to do a photo shoot with the First Lady.

I was thrilled for him, but also a little jealous.

I emailed him back: “I know you won’t do this (because I wouldn’t), but tell the First Lady she has inspired me—and my daughter—more than she will ever know.”

Photo of Michelle ObamaAs I typed those words, it made me think, If I were at the White House today on that photo shoot, why wouldn’t I tell Michelle Obama that I admire her strength and spunk, and most of all her smarts?

Is it because I’m shy? Well, yes, on occasion. Is it because I want to be cool and sophisticated and “unsappy?” Well, of course, we all want to be cool and sophisticated and “unsappy” (although I fail at that miserably on most days).

Or is it because I know she’s most likely flooded with compliments every day, and I can’t imagine my one little comment would make a difference in her life?

Whatever the reason, here’s the thing…WHY NOT?

Why not add one more nice word or two to somebody’s life–even if she is famous, and most likely inundated with compliments. She’s also a hard-working woman who wakes up every day trying to be the best wife and mom she can, struggles to juggle all the same things the rest of us do, all the while living in the insane world of politics.

My kind words may not make a lick of difference to Michelle Obama, but then again, you never know. What if she woke up with a migraine headache, a sick kid, or a pile of hate mail from the other side? Or what if she simply woke up not feeling like being the First Lady that day (can you even imagine having her job?).

So…WHY NOT?

I bet each of us can remember a comment that made a difference in our lives. It may have been a small vote of confidence shot off by somebody in passing, or one that was clearly heart-felt and thoroughly thought out.

Whatever the case, telling somebody that you admire what they are doing or that they make a difference in your life can never be a bad thing…even if it makes you feel like a sap.

So here’s to you, Michelle. Thank you for being such a great role model for women and for raising the bar in the White House, and for reminding me to say WHY NOT?

Your turn! What do you think? How has somebody’s positive comment (large or small) made a difference in your life?